2011 has been good for many people in many ways and likewise, bad for many people in many ways. But for the film industry in East Africa, I feel like it has been just another year in the slow trudge towards emancipation. In Kenya, we’ve had a few amazing films and TV series being produced and released, and the newspapers ran many articles about filmmakers and their projects. But for the most part, we remained unpaid and unappreciated, unwatched and unheard. We met in our conferences and complained about distribution and lack of financing, taxes and lack of support by local TV stations- the same old things, really!
It’s 2012 now, and by the winds of Migingo, we cannot continue this way! Because I care about you all ((HugMoment)), I will share a radical diabolical plan. My only condition for this great gesture of camaraderie ((UhuruInstrumentalMoment)) is that you accept the challenge and walk with me through each step of the way. It will not be easy, but I’m going in. Who’s with me?
The Filmmaker’s Guide to 2012
Step 1- An education:
Film school is expensive, and almost non-existent in Kenya. We have some good film production programs (I know of good programs at Mohammed Amin Foundation and at Kenta Institute of Mass Communication), but MoForce is too expensive for most of us and well, KIMC is… Yea… I don’t know what KIMC is! As far as I know, filmmakers outside Nairobi are forced to come to the city to get some decent instruction.
If you’re a Kenyan filmmaker, I know you’re most likely of the opinion that film school is for dummies, and that you can make films without having to attend a formal film program. Unschooled Riverwood producers are trampling us schoolies to the underground in terms of sales and market share.
Mr. Evans Mutua (big-shot Kenyan film guru man) is a lecturer at the USIU Mass Communication program, and he believes in formally educating Kenyan filmmakers. I’m going with him on this, mainly because he’s really cool and made Tough Choices, but also because I see his point. His argument is that film is a craft, and there are parameters within which the production process operates. You can’t just fumble around with it and come up with a world-class production. In order to compete with the global market and to win back an audience of people that have been watching Hollywood films all their lives, we must have the skills to use the medium of film as best possible. Technical aspects like lighting, camera techniques and sound, as well as the creative stages like screenwriting and set design are better learned through instruction from skilled and experienced filmmakers. So go to school and learn all you can.
My resolution is to attend all the training programs and workshops that I can. I have attended a few and at each one, I learn something new and I meet new filmmakers. The food is always amazing as well :)
Picture: Joan Kabugu with Bollywood filmmaker Anjum Rajabali at Maisha Screenwriters Lab in Nairobi, 2010
Picture: Joan Kabugu with Bollywood filmmaker Anjum Rajabali at Maisha Screenwriters Lab in Nairobi, 2010
Step 2- Make a film!
I know you have no money, of course I know that! And you have no equipment? Yea, neither do I. But I still say, make a film! It’s the best way to learn and to get more involved with the Kenyan film fraternity- and in 2012 I guarantee you, you can make a cool film on your camera phone (or your friend’s camera phone) and with a few of your friends. Realize that the bulk of achievements that we make as independent filmmakers are realized with the help and support of friends (Also translated as: people that are interested in helping you with production for free). If you have no friends then I’m sorry, you cannot work in the film industry in Kenya. Go become a banker.
With no budget and limited equipment, your film will most probably turn out whack- but you will walk away with more experience, more connections, and higher ambition to make a better film.
If you are more experienced and have access to better equipment, understand that the industry is depending on your input in 2012- make an amazing production that Kenyans will appreciate and add to their DVD collections beside The Dark Knight and 300. The key to this, I have come to believe, is story. Have an amazing story and be loyal to the cultural truths of your target audience.
Picture: Independent filmmakers Denis Kimathi and Muriuki Erick on set (Hunters, the movie)
The more elite members of your audience will care about your production values and undoubtedly compare your camera techniques, sound and lighting to Hollywood productions, but the bulk of Kenyans don’ t really notice all that- they’re here for the story. I’ve heard time and time again that the main problem with Kenyan productions is sound, and I feel like 2012 is the year to fix that. Take care of your sound, whether you’re working no-budget or not, and you’ll have boosted your production value 50% above what you did in 2011 and before. No shady soundtracks either please!
My resolution is to make a short film independently, maintaining the highest possible production values that I can. What’s a filmmaker without a film? Just a maker! And nobody thinks makers are cool.
Step 3- Make like a Somali and pirate!
* Disclaimer: The pirate pun works, no xenophobia- I love waryias!
I asked a question to some filmmaker buddies of mine on Facebook: Filmmakers, should we pirate Kenyan films?
“I spoke to Alex Konstantaros of Jitu Films early last year and he explained to me the idea behind selling films for as low as KSH.30. He said his main aim was to open the Kenyan market- show Kenyans that Kenyan films are actually good and they can watch them and enjoy them same as Hollywood, Bollywood and Nollywood. When Kenyans get to watch local films that they like, then it compels them to buy more local stuff. Without watching good Kenyan films, most Kenyans assume that local films are horrible and never bother to try them out.
I want to open a market for us in 2012- I want Kenyans to watch local and love it, so that when I put my local film on the shelf, someone will be interested in watching it. Problem is, Kenyan films are really hard to come by. I seek out Kenyan films like crazy, and hadi today I have never watched Malooned, Rugged Priest, Mwigwithania and many many other presumably good Kenyan stuff. Trust me, most of your target audience has NEVER watched a Kenyan film EVER- the rest have, but not a really good one- so what makes you think that when you put out your film they'll be interested?
“I spoke to Alex Konstantaros of Jitu Films early last year and he explained to me the idea behind selling films for as low as KSH.30. He said his main aim was to open the Kenyan market- show Kenyans that Kenyan films are actually good and they can watch them and enjoy them same as Hollywood, Bollywood and Nollywood. When Kenyans get to watch local films that they like, then it compels them to buy more local stuff. Without watching good Kenyan films, most Kenyans assume that local films are horrible and never bother to try them out.
I want to open a market for us in 2012- I want Kenyans to watch local and love it, so that when I put my local film on the shelf, someone will be interested in watching it. Problem is, Kenyan films are really hard to come by. I seek out Kenyan films like crazy, and hadi today I have never watched Malooned, Rugged Priest, Mwigwithania and many many other presumably good Kenyan stuff. Trust me, most of your target audience has NEVER watched a Kenyan film EVER- the rest have, but not a really good one- so what makes you think that when you put out your film they'll be interested?
Let's pirate! I know it's illegal, but I feel like it's necessary. The target audience needs to watch local films so that there can be demand for it, because right now, our market is dead on the floor.
I propose: if you have a local film, Torrent it! YouTube it! File-share it! Burn it! I don't care, just make sure everyone you know watches it- they need to know that we exist!Filmmakers, WHAT DO YOU THINK? Coz I have Soul Boy, Noose Of Gold, First Grader, What Boys Can Do, Love, Once Upon A Rhyme, Torn, Control- and if anyone wants them, I'm file-sharing! So speak now before I spread this virus- do you agree of disagree?”
Most of them agreed.
Disclaimer: I ain't even trying to go to jail :-P So no snitching!
There’s The Filmmaker’s Guide to 2012. No more excuses filmmakers; I’m going in- who’s with me?
Pirating? That means film makers will still remain unpaid even in 2012. Would be nice though if there was support from tv stations, so that instead of airing all those west African movies, the focus would be on Kenyan stuff. Gee..wouldn't that solve most of our problems! Good advice though. Blessed 2012 Loi!
ReplyDeleteHi Wendy, the pirating angle is about creating a market, because right now we have no market. So we might be unpaid at first, but once the law comes in, we will have a market ready to pay for films.
ReplyDeleteYea, TV stations would really be helpful, and some are starting to look for local films. When we go digital, there will be much more demand and then we will be able to count TV in.
Thanks, blessed 2012 as well!
Good idea but we shouldn't compete in producing more movies like nollywood quality counts.
ReplyDeleteAh. Mr Mutua. Best/worst lecturer in the world. We had such a love/hate relationship. Taught me most of what I know. He did have a point though. We can't have a film industry when we aren't training film makers. The Nigerians, Ghanaians, Egyptians, South Africans and the rest all have film institutes. It's high time we got one of our own. And a minister of culture who actually understands what culture is. Not an old fart like Ntimama. Me thinks.
ReplyDeleteKemaland, I agree that quality counts, especially in directing and directing photography. Camerawork and sound should be acceptable at this point in the industry. But for techie stuff like cameras and what not, I wouldn't put that as top priority. A good story on a camcoder with some grainy shots will do a whole lot more for the market than a perfectly produced movie that doesn't do anything for the audience. A film does have to be well presented, but for filmmakers that don't have access to high quality tools and allowances, I say go ahead and make a great story that will make people overlook the grainy footage. But know how to work well with the camera.
ReplyDeleteReumac, hehe! Old fart? :) Yea, we do need some education in film. Thank God for Google, because alot of us learn through online research as well. It's also helpful to download the curricula of some good film programs (the ones that post their curricula/course outlines online) to see what books they're reading, assignments etc
ReplyDeletePlease make the movies! I'll make sure they are distributed!! That's my mission for the next 3 years! Push push push!!! And Loi will attest to that!
ReplyDeleteNikithemags are you in distribution? Please give your email address so that we can talk about that :)
ReplyDeleteI am so sure I read this! How did I not comment? Nice post!!!
ReplyDelete